Tuesday, November 29, 2011

Add a little black to all your colors

I am having a little bit of a meltdown. Some combination of the seasonal changes, impending holiday stress, and the huge acres of canvas I have committed to paint for upcoming shows has given me pretty awful anxiety attacks. I am working right through them but it feels pretty grim here in my studio. I don't understand why they happen or how to get over this, but I am still working and that is enough for now.

 I had an amazing photo shoot a month or so ago and am starting to use the photos in this painting.
 

 I then make a black and white scale mock-up to see how it will look full-size, and to use for tracing the image onto canvas.





Then I transfer the drawing.
 




I am adding a little black to all my colors, to grey them a bit, to unify them, and because I am so fucking depressed these days.



Lots of looseness at this stage, just sploshing paint and blocking in shapes.




Now I am starting to paint the figures and its really fucking hard as always. It gets better when the figures have more going on in them, but for now I get pretty frustrated easily. I guess a lot of that is my current 
state of enervation. It will pass soon. I just want to be quiet and peaceful and not bother anyone and paint. Is that too much to fucking ask for?
 

Sunday, November 20, 2011

Whistler's mother and the girl with the pearl earring.

I decided to increase the complexity around the central figure, so I added some more traditional painting references (see title of blog). I also changed the painting Pollack is standing on to a wall. He is painting over a void, almost pulling the red paint out of the depths. The girl was initially painted very sharp and crisp but was distracting from Pollock, so I attacked the wet paint and motion blurred her head. The lettering is some crazy graffiti font. I have to finish this this week! Details, glazing, rendering.


Wednesday, November 9, 2011

Commission

I have been doing commissions lately. I will show a bit of the process in this blog.

1. Initial contact. Gallery contacted me and informed me that a client would be interested in me developing a painting from a specific photo. Chilean riot police covered with paint from protesters.
 2. I develop a possible composition in Photoshop and send to the client.

3. The Idea was that Jackson Pollack is splashing paint and that the riot police are protecting aspects of traditional painting: Still-life, landscape, etc.

4. Idea is OK'd!

5. Drawing transferred and painting begun.
6. Closeup!